Showing posts with label Charlotte Gullick. Show all posts
Showing posts with label Charlotte Gullick. Show all posts

Sunday, August 2, 2015

It all began a long time ago...

Someone asked me last week how long have I been writing, which has brought back the memories of how my love for writing began…

In the seventh grade, my friends Gail Allman, Linda Ryan, Carolyn Taylor, and I started an organization called “Future Writers of America.” We had no adult adviser although Linda often checked with her mother and inserted conversationally “Mama says…” before we voted on new rules or made big decisions. I can’t remember what any of those were other than I insisted members had to actually write stories or they couldn’t be in the club. I wrote westerns, fashioned after the characters on “Wagon Train,” “Rawhide,” and “The Rifleman.”  

Having no filing cabinet, much less an office, I kept my novel-in-progress on the floor of my closet for two years. My mother repeatedly griped and scolded me about “the mess in your closet” until, in a spiteful fit of anger, I threw away the unfinished manuscript and asked in that belligerent tone teenagers have, “Satisfied?” Yes, as a matter of fact, she was. I, on the other hand, deeply regret that I tossed the novel instead of putting it in one of my dresser drawers. (Spitefulness is a character flaw that raised its ugly head in my teens and still can bring ruckus to my life if I don’t turn from my emotions and use the brain God gave me.)

I stopped writing, other than high school compositions, until my sophomore year when I signed up for journalism. Once again, I found my passion. Karey Bresenhan was the faculty adviser of the school newspaper, the Hornet Hive, and I can still remember her perfect handwriting above my typed articles where she suggested edits to my pieces. She served as my copy editor; I paid attention and improved. 

(An interesting aside: Karey is now president of Quilts, Inc., and director of International Quilt Festival and International Quilt Market. Quilting, throughout history, has been a creative way that women have stitched stories into fabric.)

I stayed with journalism throughout college, even majored in school public relations in my master’s program. I’ve depended on my writing skills in every job I’ve had and I have also freelanced my writing, on the side, throughout my adulthood. My best year of freelance brought $20,000 extra income to my bank account. I don’t write for the money, but it is tasty “frosting on the cake,” as they say.

My current novel-in-progress is in my computer, with a back-up on a thumb drive and a hard copy in a 3-ring notebook. My mother is probably standing beside St. Peter and smiling from heavens’ gate at my organized tidiness. My mentors and teachers, Karleen Koen and Charlotte Gullick, continue their encouragement.

I am a writer. Writing is what I do. It is my passion, my purpose. 

Sunday, July 26, 2015

Lifting the sag

For my entire writing career I have struggled with “sagging middles,” fighting and failing to sustain a story’s plot in the middle. That’s right: I can write a riveting opening and a memorable ending, but the middle of my novels sag like an old mattress, whether writing a rollicking romance or a thriller-suspense. 

My last novel, Undercover, was a finalist in the Writers’ League of Texas 2013 Manuscript Competition, but judges only considered the first section, and as I said, I sizzle when it comes to the opening scenes. Alas, I have sent the novel to a dozen agents who have returned it with a “no thanks… not the novel for me… good luck…”

I’ll be honest. These rejections unleashed my Internal Critic constant taunt: “Why are you still writing? You know you’re gonna write another milquetoast middle.” I stalled on Chapter 5 of my current novel.

But no more.

I’m home from the summer writing retreat, sponsored by Writers League of Texas, in Alpine, TX, and I am so PUMPED. Thanks to the amazing novelist Charlotte Gullick, I am confident that I have the skill-set to lift and tighten those middles by following her advice.

I finally understand revision, as in “re-vision,” as in “see with a different lens.” I’m ready to look at my Undercover manuscript again, but today I’ll use a focused lens to review the plot. Does the character in each scene have a goal? Is there a drama in each scene? Predictability breeds reader boredom.

It’s okay if you don’t understand, because I do, and I am sure that Undercover, after its next revision, will be marketable. 

The current novel? No longer stalled, it awaits its turn in line.



NOTE: Please order Charlotte Gullick’s novel By Way of Water on Amazon.com. She is a phenomenal novelist (referred to as “the current John Steinbeck” by Jody Pryor—and I agree, although I think she carves a deeper emoitonal landscape). She is also a creative writing professor at Austin Community College, and all I can say about that is, her students are both lucky and blessed.